Genre : Classical
Latest Release : Essential Yo Yo Ma
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The prolific and prodigiously talented cellist Yo-Yo Ma is as at home with Brahms and Bach as he is with Astor Piazzolla or Antonio Carlos Jobim. Like many virtuosos, Ma took up the cello early; his father started him on the instrument at age four. Decades and several degrees later (he was a star pupil at Juilliard and later graduated from Harvard), Ma is the face of classical music around the world. Everyone knows the ubiquitous cello player with the improbable, happy-go-lucky name. But it's not just his name that precedes him: Ma is a musical omnivore. He's taken the cello from its stuffy classical confines and forced it into places it's never been before. Cello in bluegrass? Middle Eastern music? Tango? Bossa nova? No style is too out there for Ma, and as a result he's become a musical ambassador, finding commonalities between disparate musical traditions and introducing a generally uncurious world to the world's many musical curiosities. From 2000's Appalachian Journey and 2002's Silk Road Journeys to 2003's Obrigado Brasil, the cellist's passion for music has inspired several generations of listeners.
Indeed, Ma appears to have music in his blood: his mother was a singer in Hong Kong, his father a conductor, composer, and teacher. Although he had his first cello lessons at age four, memorizing two bars of Bach's Cello Suites every day, he had initially studied the violin, then the viola. When he was seven, the family moved to New York so that Yo-Yo could study with Janos Scholz. At the age of eight, Ma appeared on American television on "The American Pageant of the Arts," in a concert conducted by Leonard Bernstein. He joined the junior department of the Juilliard School as a pupil of Leonard Rose. However, he left Juilliard in 1971, questioning whether he would continue with his cello studies despite international recognition while still in his teens.
Artist Biography - Yo Yo Ma
Ma eventually enrolled at Harvard, where teachers, including composers Leon Kirchner and Earl Kim, gave him confidence to continue. The most important turning point, though, was a trip to the Marlboro Festival, where he heard the great cellist Pablo Casals perform. Says Ma, "The commitment behind each note, the belief he had, was a wonderful example."
In 1978 Ma won the Avery Fisher Prize, establishing himself as one of a very few genuine superstars in classical music. Since then, he has appeared with nearly all of the world's great orchestras and conductors. He also is active in chamber music, often in a piano trio with Young Uck Kim and Emanuel Ax; Ma and Ax won a Grammy award for their recording of the Brahms Cello Sonatas. In 1982 Ma was invited to appear in the inaugural concert of the London Symphony Orchestra's new concert hall at the Barbican Centre in London, where he played in the presence of Queen Elizabeth II. He has won numerous Grammy awards, recording such diverse music as Brazilian bossa nova, Argentine tango, American roots and bluegrass, and the soundtrack for Crouching Tiger, Hidden Dragon. In 1998 he founded the "Silk Road Project," to explore the exchange of musical ideas that occurred along the trade route. His CDs of the early 2000s have touched on both traditional and crossover repertory, with two albums of Vivaldi's music recorded with keyboardist and conductor Ton Koopman emerging as successful examples of the former, and the Obrigado Brazil CD becoming another crossover best seller.
Playing a Montagnana cello and the "Davidov" Stradivari previously used by Jacqueline du Pré, Ma produces a relatively lean and focused, though warm, tone, with a tight, fast vibrato. His performances are a unique blend of rhapsodic and seemingly spontaneous music-making; at the same time, his playing is tempered by intellectually rigorous analysis and forethought. He places great importance on not repeating performances from the past, either those of other artists or his own.
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Ma eventually enrolled at Harvard, where teachers, including composers Leon Kirchner and Earl Kim, gave him confidence to continue. The most important turning point, though, was a trip to the Marlboro Festival, where he heard the great cellist Pablo Casals perform. Says Ma, "The commitment behind each note, the belief he had, was a wonderful example." 
