Genre : Ballet
Running Time : 2 hr. 30 min. (includes 1 intermission)
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Carmen and Bolero are both Russian ballets out of Moscow. "Carmen" was remade by Anatoly Emelianov some 40 years after it was recreated by Alberto Alonso in 1964 for Maya Plisetskaya. It included Bizet's original music but was rearranged for the ballet by world-renowned composer R. Shchedrin. It was an unprecedented triumph. It was said that Anatoly Emelianov, a bright new star of Russian choreography, started a new version of "Carmen" for the bright new century. Emelianov was born in Siberia and has been dancing since the age of 4. He burst onto the Moscow scene as a rare phenomenon and was dubbed "Siberian Gold." He started his career performing at the Bolshoi, then tried his hand at choreography staging a rock-ballet "Juno and Perchance," a continuing hit that made him the talk of the town. He followed this success with a ballet based on Tchaikovsky's 6th Symphony, "The Gypsy Fantasia," and original versions of classics such as "Swan Lake" and the "Nutcracker.""Emelianov is an exceptional talent," says Vladimir Kirillov, former principal dancer for the Stanislavsky Ballet and now artistic director of the Russian Masterpiece Ballet, an "all-star" troupe reflecting a brilliant new generation of the booming Moscow ballet scene. Kirillov commissioned Emelianov for the new version of "Carmen" because "the only fluctuation in his work is between excellent and brilliant." On the American tour, Emelianov will also dance in his "Carmen" as one of the two male leads.
Show Biography - Carmen And Bolero
"Bolero" premiered in the Paris Opera in 1928 and starred Ida Rubinstein as the lead and the composer. He himself was also the conductor. It was choreographed by Bronislava Nijinsky. Other choreographers included Fokin, and Bejar. They were inspired by the music and then decided to help choreograph the show. Alexander Petukhov's, a Bolshoi dancer and talented choreographer, work is represented in this current version of the ballet. His interpretation celebrates the 75th anniversary of the original show. But, it reflects a contemporary sensibility for the music that never aged. Petukhov's work follows the composer's original vision for the piece, written for ballet rather than orchestral performance. Another dancer in the show is Natalia Ledovskaya. Natalia Ledovskaya is one of the best representatives of the Moscow school of choreography. This school blends immaculate ballet technique with spirited performance and exquisite artistry. Very few young contemporary female ballet dancers possess such qualities as emotional dynamism and high-spirited performances which accentuate the perfect classical form. Her radiant talent makes Natalia Ledovskaya is flamboyant, charming, and reveling in her dance. She daringly performs breathtaking, extremely difficult variations and she is absolutely in her element as a comedy actress. Natalia Ledovskaya, is astonishing with the lightness and swiftness of her spring, the virtuosity of her pirouettes, the amazing fixity of her poses, the filigree exactness of performance in extremely difficult classical repertoire. All these qualities, combined with her free plastic movement and youthful spontaneity, make her interpretations of classical roles inexplicably enchanting.
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"Bolero" premiered in the Paris Opera in 1928 and starred Ida Rubinstein as the lead and the composer. He himself was also the conductor. It was choreographed by Bronislava Nijinsky. Other choreographers included Fokin, and Bejar. They were inspired by the music and then decided to help choreograph the show. Alexander Petukhov's, a Bolshoi dancer and talented choreographer, work is represented in this current version of the ballet. His interpretation celebrates the 75th anniversary of the original show. But, it reflects a contemporary sensibility for the music that never aged. Petukhov's work follows the composer's original vision for the piece, written for ballet rather than orchestral performance. Another dancer in the show is Natalia Ledovskaya.
