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McEntire switched labels in 1984, abandoning Mercury for MCA Records. At MCA, she established herself as one of the decade's most popular artists, selling over 20 million albums and winning four Female Vocalist of the Year awards from the Country Music Association. Between 1985 and 1992, she had 24 straight Top Ten hits, including 14 number one singles. McEntire began toying with rock and pop influences, both in her music and in her image.
McEntire divorced Charlie Battles in 1987. Two years after the divorce, she married Narvel Blackstock, her road manager and steel guitarist; the pair assumed complete control of all aspects of her career, from recording to merchandising and marketing. In the '90s, McEntire stayed as popular as she was in the previous decade, as both her albums and her singles consistently charted in the Top Ten, frequently at number one. McEntire also begun an acting career in the early '90s, appearing in TV movies and feature films, most notably the cult horror film Tremors. She released If You See Him in 1998, returning a year later with a second seasonal collection, The Secret of Giving, as well as So Good Together.
With a contract to Mercury Records, McEntire began her professional career with a hard honky tonk sound, which didn't go over well at a time when country music was dominated by outlaw country artists like Willie Nelson and David Allan Coe. She soon married Charlie Battles and earned a teaching degree. "Three Sheets in the Wind"/"I'd Really Love to See You Tonight" became her first charting single in 1978 (see 1978 in music), and was followed by the bigger hit "(You Lift Me) Up to Heaven" (1980, 1980 in music). With more pop-oriented balladry, McEntire began to expand her audience during the early 1980s, signing to MCA Records in 1984 (see 1984 in music) and becoming one of the best-selling country artists of the time. She won the Female Vocalist of the Year award from the Country Music Association four times, and had dozens of Top Ten hits during the 80s.
After divorcing Battles in 1987 (see 1987 in music), McEntire married Narvel Blackstock, a noted steel guitarist and the couple took control over all aspects of her career. Reba's entire band died in 1991 in a plane crash. Even without the major label support she had enjoyed in the 80s, McEntire continued to hit the charts through the 1990s, as well as appearing in television and film, most notably Tremors, a cult horror movie, and One Night at McCool's. Since 2001, she has starred on the hit WB television show, Reba.
Has a son, Shelby Steven McEntire Blackstock (born 1990).
Artist Biography - Reba Mcentire
Reba McEntire was one of the most successful new country vocalists to emerge in the early '80s. The only problem was, she began her recording career in the mid-'70s. It may have taken her several years to reach the top of the country charts, but once she got there she stayed there — McEntire was the single most successful female country vocalist of the '80s and '90s, scoring a consistent stream of Top Ten singles and a grand total of 18 number one singles.
Reba McEntire (born March 28, 1955) is one of the best-selling country music performers of the last half of the 20th century, best known for pop ballads that include eighteen American #1 hits.
Born in McAlester, Oklahoma, McEntire grew up learning to ride in rodeos as well as play music. She soon formed a band with her sisters, Alice and Susie, and her brother, Pake, and the quartet had a local hit with "The Ballad of John McEntire", a tribute to their grandfather. After singing the "Star Spangled Banner" at the National Rodeo Finals in Oklahoma City in 1974, Red Steagall suggested that McEntire go to Nashville to pursue a solo career.
In 1978, McEntire began to make some headway on the charts, as the double A-sided "Three Sheets in the Wind"/"I'd Really Love to See You Tonight" reached number 20. However, she didn't have any significant hits until the summer of 1980, when "(You Lift Me) Up to Heaven" made it to number eight. By this time, she had begun to cut more ballad-oriented material and the slight shift in musical direction paid off. McEntire stayed with Mercury Records for three more years. In that time, her audience dramatically expanded — at the end of 1982, she had her first number one single, "Can't Even Get the Blues."
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