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Detroit native Kid Rock (nee Bob Ritchie) plays ringmaster in a traveling rap/rock circus act, screaming out rhymes while Twisted Brown Trucker grinds out Funk Metal riffs. Although Kid released three albums prior to attaining superstardom, it was Devil Without A Cause (1998) that made him a household name. His high-energy blend of rock, hip-hop, and trailer park pimp imagery has taken the world by storm, earning him legions of fans and a Grammy nomination. The metallic chant-fest "Bawitdaba" and country-tinged "Cowboy" continue to hype listeners around the globe.
In 1998, Kid Rock unleashed his major label debut, the classic "DEVIL WITHOUT A CAUSE." The album - which includes the smash singles/videos "I Am The Bullgod," "Bawitdaba," "Cowboy," and "Only God Knows Why" - eventually went on to be Diamond Award certified by the RIAA for more than 10,000,000 sold.
2000 saw the release of "THE HISTORY OF ROCK," a specially assembled compilation comprised of previously unreleased recordings such as the Grammy Award-nominated single, "American Bad Ass," as well as remixed and reworked tracks from Kid Rock's long-unavailable early works. The collection made its chart debut at #2 on the Billboard album chart, en route to triple platinum certification by the RIAA for sales in excess of 3,000,000.
Artist Biography - Kid Rock
Bob Ritchie, 17 January 1971, Romeo, Michigan, USA. Although his name has often been linked to the inner-city Detroit rap scene, Ritchie grew up in the overwhelmingly white suburb of Romeo, only venturing into the city proper as a teenager to attend rap concerts and talent shows. His early musical environment was a paradoxical mix of Midwest rock such as Bob Seger and the hip-hop and electro sounds accompanying the first national craze for breakdancing. After witnessing a DJ battle between Davy D and AJ Scratch on the Fresh Fest tour, young Ritchie was inspired to try his hand at DJing, ruining his mother's phonograph in the process. His continued efforts as a rapper and DJ led to basement parties and criminal mischief in the black neighborhoods of nearby Mt. Clemens. It was at this stage that he adopted the name Kid Rock, although it is not entirely clear whether he earned the name from his prowess as a DJ, or from an apprenticeship in the retail side of the local freebase cocaine business. In either case his local talent show appearances and demo tapes eventually landed him a gig opening for Boogie Down Productions, and a $100,000 record deal with their new label Jive Records. The resultant debut Grits Sandwiches For Breakfast featured production work from BDP extended-family members D-Square and D-Nice, as well as Too $hort, and a local engineer named Mike E. Clark (who went on to unleash the Insane Clown Posse on an unsuspecting world). Aiming for a stylistic niche somewhere between the Beastie Boys and 2 Live Crew, the pro-cunnilingus single "Yo-Da-Lin In The Valley" generated little chart success but made history nonetheless by earning the college radio station of SUNY Cortland (WSUC) a fine of $23,750; the largest ever leveled at a non-commercial radio station for the broadcast of obscene material.
Continuing his association with the emergent gangsta-rap genre, Kid Rock supported Ice Cube and Too $hort on tour, trailing the tour bus in a Grand Marquis with his turntables in the trunk. After the tour he relocated to Brooklyn, New York and began work on the first of two poorly received releases for Continuum Records, The Polyfuze Method and the cassette-only Fire It Up EP. He then turned his efforts to running his own independent Top Dog imprint from the basement of his Michigan home, releasing and distributing Early Mornin' Stoned Pimp. This was a foray into a west coast G-funk sound, albeit filtered through his ever-present rock influences and incorporating the work of Black Crowes keyboard player Ed Harsch and Sub Pop Records vocalist Thornetta Davis. The relative success of his self-distributed work on Top Dog prompted a distribution-deal with Atlantic Records for his next effort. On Devil Without A Cause, timing and major-label promotional muscle finally combined to deliver his confident fusion of a bewildering range of rap, country and hard-rock influences to a wider audience, causing the album to climb into the Billboard Top 5 in the process.
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Bob Ritchie, 17 January 1971, Romeo, Michigan, USA. Although his name has often been linked to the inner-city Detroit rap scene, Ritchie grew up in the overwhelmingly white suburb of Romeo, only venturing into the city proper as a teenager to attend rap concerts and talent shows. His early musical environment was a paradoxical mix of Midwest rock such as Bob Seger and the hip-hop and electro sounds accompanying the first national craze for breakdancing. After witnessing a DJ battle between Davy D and AJ Scratch on the Fresh Fest tour, young Ritchie was inspired to try his hand at DJing, ruining his mother's phonograph in the process. His continued efforts as a rapper and DJ led to basement parties and criminal mischief in the black neighborhoods of nearby Mt. Clemens. It was at this stage that he adopted the name Kid Rock, although it is not entirely clear whether he earned the name from his prowess as a DJ, or from an apprenticeship in the retail side of the local freebase cocaine business. In either case his local talent show appearances and demo tapes eventually landed him a gig opening for Boogie Down Productions, and a $100,000 record deal with their new label Jive Records. The resultant debut Grits Sandwiches For Breakfast featured production work from BDP extended-family members D-Square and D-Nice, as well as Too $hort, and a local engineer named Mike E. Clark (who went on to unleash the Insane Clown Posse on an unsuspecting world). Aiming for a stylistic niche somewhere between the Beastie Boys and 2 Live Crew, the pro-cunnilingus single "Yo-Da-Lin In The Valley" generated little chart success but made history nonetheless by earning the college radio station of SUNY Cortland (WSUC) a fine of $23,750; the largest ever leveled at a non-commercial radio station for the broadcast of obscene material.
