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Kenny G
As Kenny Gorelick, Saxophonist Kenny G first gained attention as a member of the Jeff Lorber Fusion, a second-tier jazz fusion group. After going solo, G developed a hyper-slick, instrumental pop sound that features simple melodies played over gentle beds of jazzy mood music. With the help of brilliant promotion and marketing from Clive Davis's Arista Records, Kenny G's albums sold tens of millions of copies and the saxophonist became perhaps the most famous modern instrumentalist in the world. His success has also caused a great deal of debate in the jazz community, as his sound owes as much to MUZAK and easy listening as it does to "serious" jazz.
Kenneth Gorelick (born June 5, 1956), better known by his stage name Kenny G, is an American saxophonist who was born in Seattle. He adopted his stage name when he turned professional at the age of 17 and started playing in Barry White's Love Unlimited Orchestra. He has a degree in accounting from the University of Washington.
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Artist Biography - Kenny G
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 In 1981 Kenny G signed with Arista Records as a solo artist. He has released many solo albums and collaborated with various artists including Whitney Houston, Natalie Cole and Aretha Franklin. Influenced by the likes of Grover Washington Jr., his own albums are usually classified as smooth jazz.
His cross-over into pop music has lead to negative reviews from many music critics, although he remains highly popular with the American buying public. As of 2003, Kenny G was named the 25th-highest selling artist in America by the RIAA, with 47.5 million albums sold in the USA [1].
In 1994, Kenny G won the Grammy Award for Best Instrumental Composition for Forever in Love. In 1997, Kenny G earned a place in the Guinness Book of World Records for playing the longest note ever recorded on a saxophone. Kenny G held an E for over forty five minutes, a record he still holds.
Though he claims not to be a jazz musician, Kenny G has always been regarded with contempt by jazz aficionados for his supposedly pedestrian, soulless playing. His reputation was hurt further by the controversy created after he overdubbed his saxophone onto a Louis Armstrong recording for his jazz standards album Classics In The Key Of G. Pat Metheny excoriated him for his "incredible arrogance" in defiling "the music of the man who is probably the greatest jazz musician that has ever lived by spewing his lame-ass, jive, pseudo bluesy, out-of-tune, noodling, wimped out, fucked up playing all over one of the great Louis's tracks (even one of his lesser ones)" [2]. Richard Thompson also weighed in on the controversy with a song called "I Agree with Pat Metheny", in which he sang "a meeting of great minds, how nice / like Einstein and Sporty Spice".
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For more information , enjoy the official homepage of Kenny G
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