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Those are words Gary Allan has heard whispered before. Debuting when he did in 1996, at a time when Nashville was scratching a rash of suburban cowboy hat-wearing newcomers, it was perhaps an inevitable response. But he had the edge of experience. Having honed an individual style on the honky-tonk circuit in his native California since age 12, Allan is nothing if not resilient, and like the long line of honky-tonk icons whose music has inspired him - Lefty Frizzell, Merle Haggard, Johnny Horton, Waylon Jennings, George Jones, Willie Nelson, Buck Owens - he's learned that the best way to meet a challenge is head-on. With a smile.
'There were these guys at Buck's place last night,' Allan says, the day after giving a by-invitation performance at a Bakersfield birthday celebration for Buck Owens. 'I was signing their Gretsch guitars. They were way into punk, and they said, 'Man, we thought you were just another hat act out of Nashville, and you rawk!' When people see you're real, they're so impressed, and they so want something like that. I've had those guys at my shows since I was 15. Our shows are different that way - I don't worry about politics too much. I go in and I have fun.'
Artist Biography - Garyallan
If Allan sounds relaxed, he's earned the right. After playing countless smoky bars with his dad as a teen, he led his own band through the clubs and fairs of Southern California for several years before signing with Decca Records and releasing two albums that each generated Top 10 hits (single 'It Would Be You' climbed to #5). His just-completed third album, Smoke Rings In The Dark, is by far his most honest and rewarding release to-date. And the hard-working entertainer achieved that feat following the most tumultuous year the music industry's seen in decades. When Decca closed in January, corporate maneuvers could have relegated Allan to the 'Whatever Happened To...?' column in tabloid rags. Instead, he was one of only four artists picked up by parent company MCA. His new deal afforded him the time and resources to create a more mature, career-defining record.
Co-produced by top MCA honchos Mark Wright and Tony Brown (a 'magic combo' who had never produced together before, and specifically requested by Allan), Smoke Rings In The Dark features a more muscular sound, replete with some swing, bluesy shuffle and twang. Allan even tackles Del Shannon's 'Runaway,' a staple of every working band's song list. Country sounds come courtesy of Western country sidemen like pedal steel man Dan Dugmore, Allan's longtime bandmate Jake Kelly, and former Faron Young/George Jones fiddler Hank Singer.
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If Allan sounds relaxed, he's earned the right. After playing countless smoky bars with his dad as a teen, he led his own band through the clubs and fairs of Southern California for several years before signing with Decca Records and releasing two albums that each generated Top 10 hits (single 'It Would Be You' climbed to #5). His just-completed third album, Smoke Rings In The Dark, is by far his most honest and rewarding release to-date. And the hard-working entertainer achieved that feat following the most tumultuous year the music industry's seen in decades. When Decca closed in January, corporate maneuvers could have relegated Allan to the 'Whatever Happened To...?' column in tabloid rags. Instead, he was one of only four artists picked up by parent company MCA. His new deal afforded him the time and resources to create a more mature, career-defining record. 
